In his current work Rees Roberts has taken inspiration from the poetry and writings of Miklós Radnóti, Federico Garciá Lorca, Paul Celan and Walter Benjamin: all of whom were victims of fascist persecution. Underlying his concern with modernist stylistic experimentation is the insistent political question of how the artist should bear witness to the atrocities of our times. Rich in poetic connotations and thematic leitmotifs, it is uncertain whether the Winter Journey envisaged by Rees Roberts is Radnóti's forced march, Schubert's Winterreise, or Odysseus's voyage to Hades' âdark shore'.
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