Exhibition
Marc Bauer: Mal ȆTre / Performance
1 Feb 2020 – 10 May 2020
Regular hours
- Saturday
- 10:00 – 17:00
- Sunday
- 10:00 – 17:00
- Monday
- 10:00 – 17:00
- Tuesday
- 10:00 – 17:00
- Wednesday
- 10:00 – 17:00
- Thursday
- 10:00 – 17:00
- Friday
- 10:00 – 17:00
Address
- Marina
- East Sussex
- Bexhill
- TN40 1DP
- United Kingdom
Travel Information
- Direct trains from London Victoria, Brighton and Ashford to Bexhill
Marc Bauer’s Mal Ȇtre / Performance is a new body of work commissioned jointly by Drawing Room and De La Warr Pavilion and is the artist’s first solo exhibition in a UK public gallery.
About
Bauer’s chosen medium is drawing which he uses here to make small and large scale works on paper, a wall drawing and an animation.
Mal Ȇtre / Performance features the motif of people on boats throughout history, from ancient Greece to contemporary media footage. All of the works are drawn in graphite, and images range from those inspired by fifteenth-century Catholic ex-voto paintings, to Théodore Géricault’s The Raft of the Medusa, up to Aquarius, the boat that rescued migrants in the Mediterranean Sea in 2018. Using the slow and cumulative process of drawing and erasing, Bauer’s project brings the past into the present in his investigation of humanity.
Bauer says:
“This new installation of drawings is an attempt to understand the relationship between images, to see what impact they have on our perception of reality, and how they condition our way of thinking and define our identities.”
The first part of the exhibition title, Mal Ȇtre, roughly translates from the French to “being in a bad way”. This condition unites images of people in transit across seas today and in the distant past. Mal Ȇtre also refers to a sense of unease the viewer may experience when viewing these images, with Performance referring to the various roles we adopt.
Marc Bauer describes drawing as “a way for me and the viewer to comprehend reality in all its complexity – subjectively, politically, symbolically – and show how history, memory and shifting power structures shade the present”.