Exhibition
Lucy McKenzie
20 Oct 2021 – 13 Mar 2022
Regular hours
- Monday
- Closed
- Tuesday
- 10:00 – 18:00
- Wednesday
- 10:00 – 18:00
- Thursday
- 10:00 – 18:00
- Friday
- 10:00 – 18:00
- Saturday
- 10:00 – 18:00
- Sunday
- 10:00 – 18:00
Cost of entry
£10 / Free with ticket for Members
Concessions available
£5 for Tate Collective.
Address
- Albert Dock
- Liverpool
- L3 4BB
- United Kingdom
Travel Information
- Liverpool ONE Bus Station on Canning Street is directly opposite the Albert Dock, approximately 365 metres from Tate Liverpool. Route C4 also stops at the Albert Dock.
- The nearest train station to Tate Liverpool is James Street station, Liverpool L27PQ (720 metres approx.). For travel within Merseyside plan your journey at merseyrail.org.
Expert painter, collaborator and creator of high fashion. Do not miss Lucy McKenzie.
About
Join us for the first UK retrospective of Glasgow-born, Brussels-based artist Lucy McKenzie (b. 1977). The exhibition brings together over 80 works dating from 1997 to the present. Visitors can enjoy large-scale architectural paintings, illusionistic trompe l’oeil works, as well as fashion and design.
The exhibition highlights themes that have interested the artist throughout her career such as the iconography of international sport, the representation of women, gender politics, music subcultures and post-war muralism.
A skillful painter, McKenzie is known for her use of the trompe l’oeil technique; paintings that are so convincingly real they literally “deceive the eye”. Take a closer look at Quodlibet XIII (Janette Murray) 2010 and you’ll discover the pin board, with attached map, knitting pattern, and wool is in fact, a painting.
McKenzie collaborates with other creatives regularly. Through her collaborations, she challenges the notion of authorship by pointing to the strength of collective actions. McKenzie founded Atelier E.B. with Scottish designer Beca Lipscombe which has operated as a fashion label since 2011. Street Vitrine III Constellation 2020 produced by Atelier E.B. highlights the artistic skill involved in window dressing. This is further investigated in works like Rebecca 2019 which questions some people’s perception of ‘window dressing’ as a talent that requires little skill.