Aboutouis-Cyprien Rials’ video work has garnered a great deal of visibility in recent years, not least thanks to its elliptical and suggestive — in the noble, non-sensational sense of the term — character: his films, all of which address violence, are anything but exhibitionist. They evoke rather than explain or demonstrate, and invite one to uncover and assimilate. Essentially, they are an invitation to exercise one’s intelligence. Unseen, Rials films the unimaginable lurking beneath apparently peaceful landscapes: scenes of desolation, everyday urban landscapes and buildings severed from their original purpose and history. His films are punctuated by a rhythm and/or soundtrack that renders the unseen at the very least disturbing, and sometimes immediately unbearable. When one scratches at the surface of the disturbing and queries what pushed the artist to film such everyday scenes, one comes into contact with the unbearable.