In Los Putrefactos Andrés Garcà a Ibáà ±ez explores his own cultural identity, offering critical comment on Spanish religious traditions. This collection is often marked by Ibáà ±ez's grotesque manipulation of the subject, affecting the narrative of his paintings.
Included in the Los Putrefactos exhibition is Retablos, a group of paintings inspired by 17th century artist Zurbarán depicting female martyrs and saints painted as contemporary women.
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