QTS is perceived by the artist as an infinite driving force with its own life; one that inhabits a higher dimension invisible to us. As a mediator, the artist temporarily summons QTS into the physical world and captures the fragmented imprints of its unstoppable motion, visualizing them on a plethora of surfaces. These include not only physical objects such as walls, canvases and papers, but also digital, conceptual and social platforms such as videos, live performances and collaborations with fashion brands.
Whilst the overall picture of QTS itself remains unseen, its physical manifestations are channelled into unique art pieces from one specific moment in time. These pieces are called FFIGURATI, a term coined by the artist referring to the word “graffiti” and the Italian expression “figùrati” (literally translated as “figure it out yourself”), numbered in the order of their creation.
Oyama envisions each FFIGURATI like a prime number. Although they are both a part of an infinite continuous entity larger than themselves, they are simultaneously brought to this world as specific, one-time-only singularities generated out of the metaphysical continuity. Discovering a pattern within the neverending series of prime numbers has been a longstanding mystery in the history of mathematics; similarly, pinpointing the structure and form of QTS is something even the artist himself is not fully aware of.
Notes for Editors:
Enrico Isamu Oyama was born in Tokyo, Japan, in 1983 to a German-Italian father and a Japanese mother. Oyama became interested in graffiti culture whilst living in Italy between 2000 and 2001, where he initiated his own self-taught creations. After receiving his MFA from Tokyo University of the Arts in 2009, Oyama named his style Quick Turn Structure (QTS), and has positioned his practice in the midst of contemporary art and street culture. He has authored the book Against Literacy: On Graffiti Culture and has collaborated with brands such as COMME des GARÇONS and Shu Uemura. In 2011 Ōyama received a grant from the Asian Cultural Council for a 6-month stay in New York City, where he still currently lives and works.