Lawrence Abu Hamdan

28 Apr 2017 – 28 May 2017

Event times

Wednesday - Sunday, 11am - 6pm

Maureen Paley

London, United Kingdom


Travel Information

  • 106, 254
  • Bethnal Green

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Lawrence Abu Hamdan an artist and ‘private ear’ presents two new works at the gallery following on from the performance of his live audiovisual essay Contra Diction: Speech Against Itself in 2016.


Maureen Paley is pleased to announce a new solo exhibition by Lawrence Abu Hamdan that follows on from the performance of his live audiovisual essay Contra Diction: Speech Against Itself at the gallery in 2016. His work Saydnaya (the missing 19db), 2017 is currently included in the thirteenth Sharjah Biennial in the UAE and was awarded the 2016 International Nam June Paik Award as well as the 2017 Tiger Award for Short Films at the Rotterdam Film Festival for Rubber Coated Steel, 2016. Abu Hamdan recently performed his live audiovisual essay Bird watching, 2016 at documenta 14 in Athens, Greece.

Lawrence Abu Hamdan is an artist and ‘private ear’ whose projects have taken the form of installations, performances, photography, essays, lectures, videos and graphic works. This exhibition will feature two new works: Saydnaya (ray traces), 2017 will be installed in the downstairs gallery, while This whole time there were no land mines, 2017 will be shown upstairs.

In 2016 Lawrence Abu Hamdan worked with Amnesty International and Forensic Architecture to produce an acoustic investigation into the Syrian regime prison of Saydnaya, 25km North of Damascus, where over 13,000 people have been executed since the protests in 2011 began. The prison is inaccessible to independent observers and monitors. The memory of those few who were released is the only resource available from which to learn of and document the violations taking place there. However, the capacity of detainees to see anything in Saydnaya was highly restricted as they were kept mostly in darkness, blindfolded or made to cover their eyes. As a result, the prisoners developed an acute sensitivity to sound. Abu Hamdan worked with survivors’ earwitness testimonies to help reconstruct the prisons architecture and gain insight as to what happened inside. Saydnaya (ray traces) consists of a series of projected diagrams that illustrate the unseen architecture of the Saydnaya prison based on the accounts of some of its survivors.

This whole time there were no land mines, 2017 uses found mobile phone footage and audio recordings that were made in 2011 in The Golan Heights. This stretch of land was annexed from Syria by Israel after the 1967 ceasefire and hosts ‘the shouting valley’ — a place where the topography facilitates an acoustic leak across the border. Here separated families have regularly gathered on both sides of the divide to shout across to each other. On 15th May 2011 the shouting valley was host to a different act of transgression. Protesters from all over the country gathered on the Syrian side of the border for the anniversary of the Nakba. Unlike the usual gatherings in this valley the voice was not the only thing to cross the border as 150 Palestinian protesters from Syria unexpectedly broke into Israeli territory. For the first time since 1967 the border was breached. Four protesters were later killed by Israeli soldiers yet the majority managed to exercise, even if briefly, their right to return.

Exhibiting artists

Lawrence Abu Hamdan


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