Exhibition
Las Meninas Renacen de Noche (Las Meninas Reborn in the Night)
13 Dec 2014 – 24 Jan 2015
Regular hours
- Saturday
- 10:00 – 18:00
- Sunday
- 10:00 – 17:30
- Monday
- 10:00 – 17:30
- Tuesday
- 10:00 – 18:00
- Wednesday
- 10:00 – 18:00
- Thursday
- 10:00 – 18:00
- Friday
- 10:00 – 18:00
Address
- 531 West 24th Street
- New York
New York - NY 10011
- United States
Travel Information
- via subway take C or E train to 23rd street at 8th Avenue, walk 2 Avenues to 10th Avenue, and 1 block uptown to 24th Street. The Gallery is between 10th and 11th Avenues.
Luhring Augustine is pleased to present Las Meninas Renacen de Noche (Las Meninas Reborn in the Night), a recent body of photographs by Yasumasa Morimura. In these self-portraits, the artist reimagines Diego Velázquez’s 1656 Las Meninas by assuming the role of each character in the renowned work. Morimura photographed Velázquez’s painting in situ at the Museo Nacional del Prado in Madrid, using the museum as a stage for his study.
About
In his exploration of Las Meninas, Morimura creates new narratives by altering the positioning of the subjects both in the original composition and in the visual space of the museum. The artist first used imagery from Velázquez in 1990, when he impersonated Princess Margarita, or “The Infanta,” a portrait that appears in one photograph from this new series. In addition to the eleven personalities he assumes from Las Meninas, for the first time Morimura portrays himself, undisguised, as the artist. In his reconsideration of this iconic painting, Morimura further investigates the questions that Velázquez posed in regard to perspective, authorship, and identity.
Morimura has been working as a conceptual photographer and filmmaker for more than three decades. Through extensive use of props, costumes, makeup, and digital manipulation, the artist masterfully transforms himself into recognizable subjects, often from the Western cultural canon. Morimura has based works on seminal paintings by Frida Kahlo, Vincent Van Gogh, and Édouard Manet, and he also uses images culled from historical materials, mass media, and popular culture in his practice. His reinvention of iconic photographs and art historical masterpieces challenges the viewer’s common associations with the subjects while also commenting on Japan's complex relationship with and absorption of Western culture.