Kristina Schuldt. Bordstein

About

As if everyone I needed was there. As if everyone I mean when I say: the ones I like are there. The ones I really like. Who I admire and who I feel for when they deal with the world.
Kristina Schuldt's pictures show and are a community, an eloquent group, they are an intimate exchange with each other, as well as the simultaneousness of thinking, consequences, correction, chaos, crying, panic and humor.
Yes, please, I have made a move into the middle of an image world and I can no longer voluntarily get out of this image world.

The image, each one, a plot with the world as it should be against the world as it is. An agreement in the tumult of the present, not a lazy compromise. Everything can be saved here, everything is saved here, there is no shortage of places and a sense of possibility here. There is a process going on here that will end in my favor, for example in my favor, but not in favor of all those who I can no longer trust for so many reasons and which I cannot name here, not the reasons, not the people; You're tired of the pictures. The images shout: This is not about you! Those who are meant will hear it now or later.
The images say: Don't be distracted!

The images that know about every collision and every hostility, because they are knowing images and they are made entirely of the world, of everything that cannot be endured, these images stretch and stretch those who allow themselves to be stretched into a specific one time and with maximum concentration.

Here everything impossible is thrown forward with determination and quiet noise in order to escape the unreasonable demands of standstill and any claimed stability. The images point far beyond themselves, destroying themselves in the process and transporting themselves and me into a state of stillness and greatest concentration: it is a moment in a call, in a step, before an end, shortly after a beginning.

This gift of bringing silence into the greatest noise. The stretching of all moments so that time arises, plus: ideas and connection.

Beloved beings, we are present at the same time.

Beloved beings, we are now in all times.

The task that the storms had to keep the roaring away from the quiet center, and how the quiet center arises from all the roaring, and how it cannot be done without the roaring, for the sake of the silence. Now, beloved beings, we have long known enough about opposites, how they depend on each other, how we have to say goodbye to some opposites in order to move forward in all contradictions. So here's a tender roar. Angry love here. Stomping legs here.

The legs, says Kristina Schuldt, who should know, stamp, they stamp as a reminder of their strength, they stamp because this is an appropriately polite way of walking here and now, and they work the curbs and from there everyone Regions beyond the boundaries of days and bad news.

What we see is a demonstration. This is a rally.

It is announced: noise, departure, accident, devouring, vomiting, (rebellious) desire, desire to talk, rearrangement. Every element of every image rebels against every other context and has the desire to be in no other place than here.

And I swear: this is vomiting in a new way. The images take the ugliness out of the world and vomit because of all the ugliness and because of all the other reasons, but they vomit in such a way that it creates something that can stay because it is good, and we take our clever, troubled, non-negotiable joy in it .