In the beginning was âMaurice' an entity housed in a concrete structure, given metaphysical properties, a projection, an idea, which gave it life. It had a strong connection with its intended place of residence, if only for a month. The âthing' was conflicted, not knowing what to offer to those encountered. It began to disintegrate under too much scrutiny.
Back at the site of it's making, it becomes ordinary - a thing of labour, something man made waiting to regain its valour. Thrust upon a spike the object makes further sacrifice, a new ideal emerges, more rigid, practical and perhaps more attainableâ¦
Amanda Francis is preoccupied with identity - specifically, how attempts to âdefine' can be influenced by context - the when and where of encounter. Francis' is particularly interested in âBlack' as a cultural construct, the evolution of a political and social identity within the occident. She employs sculpture, drawing and animation to realise her ideas. Beginning at the enlightenment, she speculates about a drop of dark matter forming and gathering mass in clinical conditions. But even beginnings are contentious - spiritual and empirical impressions vie for ascendancy demanding scrutiny and dissection.
At the heart of this show is the passage of an object, inspired by a saint with an identity crisis. The story goes that Maurice a leader of a Theban legion, refused to take arms against his fellow Christians as ordered by Rome - he and all his men were executed for their disobedience. Maurice (venerated widely across Europe and North Africa) embodies the consequences of being held between two poles, but he also points to the transformative potential of such circumstances.
Friday - Saturday 12-6pm
82 Tanners Hill
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