Ken Eastman's succinctly stated aim is 'to make things I've never seen before '. Recent works subvert many expectations of the vessel form, sometimes by a curiously undulating base or the apparent sprung tension of a curved section of wall. Describing the mysterious character of one work the critic Tanya Harrod writes that it ' - appears to move and sway, an odd synthesis of pot, eccentric architectural space and passages of colour '.
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