For this major exhibition in our Upper Gallery, British artist Keith Wilson further develops his longstanding investigation into the cultural status of sculpture, considering how ideas develop in the private sphere of the artist’s studio and transform into a public presentation of work in a gallery.
At the core of Calendar is a large-scale galvanised steel structure made up of multiple cubic units, organised in a series akin to the familiar monthly grid arrangement used for wall planners and electronic diary systems. These units are then occupied by various objects, items, and ephemera that offer a view into the artist’s studio from the wider enclosure of public space within the MAC.
This artistic practice comprises an ongoing enquiry into the contingency of meaning specifically in relation to the public functioning of sculpture. The artist is interested in exploring the power relations inherent in everyday human interactions and his exhibitions are often dramatized by having to navigate your way around apparently authoritative pieces of highly ordered sculptural material.