In Arabic, raï means 'opinion'. Through its music and textual créolité (creolity), rai is mirroring Algerian culture. It is an underground genre which has changed and mixed codes from different existing repertoires to bypass social restrictions and make what is muted heard. It is a substitute for the lack of interactions between women and men, between older and younger generations in a society silenced by morality. Questioning rai from yesterday and today is opening a reflection on what is culturally and sociably at stake in Algeria but also in contemporary Muslim society.
The protagonist is a young man with a Walkman listening to rai tapes. He is wandering, stopping by in front of Disco Maghreb shop in Oran, the historical producer of cheb and cheba. In Paris, he is idling in Barbès neighbourhood, a crucial part in rai development in the 1990s. The faint faces of rai stars Cheb Hasni and Cheikha Rimiti which appear throughout the video on old buildings evoke another temporality. However, rai tapes are still an object of desire, sold and collected in very few shops known by regular visitors. Here, rai music is a ghost, a nostalgic memory, but passion is never far: rewind, press ‘play’ and it starts all over again.
Katia Kameli is French-Algerian filmmaker and visual artist. Her work has found an audience and gained recognition on the international artistic and cinematographic scene. Her most recent solo-exhibitions are including: What Language Do You Speak Stranger, The Mosaic Rooms, London (2016); Futur, Artconnexion, Lille (2016); Taymour Grahne Gallery, New York (2014); 7 Acts of Love in 7 days of Boredom, Transpalette, Bourges (2012); Duty Free, Videochroniques, Marseille (2012). She participated in numerous groups shows that include: Cher(e)s Ami(e)s, Centre Pompidou, Paris (2016); Made in Algeria, Mucem, Marseille (2016); Entry Prohibited to Foreigners, Havre Magasinet, Boden, Sweden (2015); Where we’re at, Bozar, Bruxelles (2014); Lubumbashi Biennale, Congo (2013); Pour un Monde Durable, Calouste Gulbenkian Foundation, Portugal (2013); Le Pont, Museum of Marseille (2013); Dak’art, Dakar Biennale (2012); Higher Atlas, Marrakech Biennale (2012); Bamako Biennale, Mali (2011).
In 2006 and 2011, Kameli directed and produced ‘Bledi in Progress’ and ‘Trans-Maghreb’ video platforms for young filmmakers from Algeria, Marroco and Tunisia in Algiers. Her work will be exhibited at the Dakar’s Biennal in 2018.