Event
MARX200: Politics – Theory – Socialism
04 May 2018 – 05 May 2018
HAU 1 Hebbel am Ufer
Berlin, Germany
The Kollektief clips musical and cultural fragments out of their cultural frameworks and pieces them enigmatically together.
Some referential indicators are: Heike Aumüller's free, unsentimental Harmonium played with a Sehnsucht (like a Free Jazz counterpart to Reggae producer and Melodica master Augustus Pablo, north of the Kaiserstuhl, not east of the river Nile); Johannes Frisch’s double-bass, creaking and free-wheeling; and a dash of Thomas Weber's Swedish Biker-Rock passion, that makes you forget the benedictions of modernity – for a moment at least.
William Hooker says: „Every song written or improvised has an inside song which lives in the shadows, inbetween the sounds and silences and behind the words, pulsating, waitng to be reborn as a new song.“
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