In his search for a balance between the physical and metaphysical, between system and chance, Károly Keserü draws inspiration from Eastern and Western philosophy, folk art, as well as music. His paintings and drawings explore and playfully question the legacy of Modernism and Post-Modernism in the digital age, in a creative practice that is both experimental and transformative.
Minute dots turn into coloured swarms breaking free from an imperceptible grid, while nearly invisible lines run across the sheets of paper, like rivers seen from a bird’s eye perspective. With a surprising economy of means, lines and circles, as well as a refined palette, Keserü has developed a unique and intensely rich visual vocabulary through which the very nature of our being is laid bare. Line after line, dot next to dot, Keserü carefully creates his images, combining repetitive patterns with forms built by chance, in a constant dialogue between structure and freedom. Repetition can often be seen as limiting, yet it can also function as a catalyst for change, for transformation and rebirth: in Keserü’s works no dot is identical to the next, and the lines are drawn freehand, allowing for cracks to emerge, for light to shine through the layers of ink. It is in this twilight zone where we can finally see what we often unknowingly feel - the infinite and subtle variations taking place under the surface of our fixed habits and recurring thoughts.
Keserü’s compositions often appear as ethereal, mathematically precise images that challenge their own materiality. Nevertheless, the painstaking and labour-intensive drawing process deeply roots these works in a physical realm. In this process, abstraction is, quite literally, pinpointed down, and the paper or backing fabric both guide and set the artist’s hand free. Ultimately, it is through this interplay of repetitive structures and accidental forms, of visual silence and sound, that the fabric of life is quietly woven for us to see and hear.