The title of the show, Extreme Learning Machine, draws inspiration from learning devices designed to replicate artificial learning techniques and biological learning mechanisms. Based on algorithms of human nervous systems, ELM has infinite learning capacity and captures the intuitive efficiency of brain learning.
Costa’s photographs physically mimic this digital and retouched reality by using in-camera techniques, cut paper, and studio constructions rather than the modern tools of Photoshop. The analog reconstruction as a proxy to the real world reflects a condition in which identity, space, and desire are fluid from one moment to the next. Compositions recreate a reality where the digitally constructed and altered image imposes itself on our notions of space, place, intimacy, and self. Costa uses masculine signifiers and standardized articles such as motorcycle helmets, cars, and soccer gloves and re-contextualizes them so that they shift seamlessly between a physical reality and fabricated illusions. Objects, symbols and logos of mass production and consumption become vehicles for transcendence, as they are rendered and abstracted to be simultaneously melancholic and sublime.
Costa’s practice is very much a processed-based labor. Works absorb, mimic and inevitably humanize the visual language made possible by machine and imaging software. Compositions attempt to recreate the texture of a reality that has widened and opened via our ever-present screens and devices. Temporal experience now unfolds in a state of constant flux, shifting between a physical reality, and the seduction and distraction of the more desirable illusions and versions constantly presented, fabricated and delivered through our screens.