Jew. Photographs by John Offenbach

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A major art book on the subject featuring the full set of 120 works will be launched during the exhibition's opening. the exhibition and the publication bring together the diverse faces of Jewish people from myriad walks of life, dispelling the myth that there is just one type of Jew. For Offenbach, this has been a very personal project, traveling the world to capture the subjective essence of Jewish identity across 12 different countries, from Ethiopia to Ukraine, and Argentina to China.

Despite experiencing some initial resistance regarding the project's title, Offenbach was adamant that this body of work was to be given the name JEW. He says: “A large part of the project was to re-own that word - it shouldn’t be seen as an insult”.  In November 1938, an exhibition entitled ‘The Eternal Jew’ opened in Munich promoting the Nazi stereotypes of Jews through photographs. In November 2019, Offenbach’s portraits challenge the contemporary, hateful propaganda of uncomfortably recent history, whilst contributing to a vital story of Jewish representation in the arts and posing urgent questions about identity and belonging that are pertinent to all of us.

Offenbach’s portraits are executed in black and white, a stylistic device known for its democracy. The removal of the background serves to avoid connotations of documentary. Offenbach explains: “I did travel to 12 countries, but my thinking was not necessarily to see it entirely as a diaspora project. I travelled with a neutral background and photographed each portrait against it, in black and white. The result is more objective, and at the same time more inclusive, in that each one, devoid of its surroundings becomes part of a single story”.

The series was inspired, in part, by August Sander, German photographer of the early 20th century who radically documented German people in a way that dismissed the era’s social divisions. In line with Sander’s work that spoke honestly of the contemporary human existence, Offenbach says: “My project is about the faces. There is truth, honesty and diversity in these unretouched photographs. Each sitter is a normal person with a normal face, and I wanted to celebrate this normalcy. The ordinary is extraordinary and deserves our attention”.

Each portrait is titled not by the sitter’s name, but by their occupation or circumstances. For example, Spy, Refuse Collector and Nobel Laureate are contrasted, creating a mosaic of unadorned snapshots, challenging the received view of world Jewry. Through these titles, Offenbach hopes to normalise the identities and quotidian existences of Jewish people across the spectrum of life.

Of the launch of both the book and the exhibition, Offenbach says: “This is certainly a very proud moment in my career. The book and exhibition at the Jewish Museum are the culmination of a lot of thought, time and effort. It has been an odyssey and who knows where it may lead to in the next few years”.

Dominik Czechowski, Head of Exhibitions at Jewish Museum London commented: "Offenbach’s bold and exciting work is very much part of our mission to celebrate Jewish culture and challenge prejudice and stereotypes. He, like us, seeks to represent the entire Jewish community in all its joyful complexity to the wider world”.