Exhibition
hypersurfacing
29 Nov 2019 – 29 Feb 2020
Regular hours
- Friday
- 10:00 – 21:00
- Saturday
- 10:00 – 21:00
- Tuesday
- 10:00 – 21:00
- Wednesday
- 10:00 – 21:00
- Thursday
- 10:00 – 21:00
Address
- 19 Palias Ilektrikis street
- Nicosia
Nicosia - 1016
- Cyprus
NiMAC [Nicosia Municipal Art Centre, Associated with the Pierides Foundation]
Curator: Marina Christodoulidou
Artists: Raissa Angeli, Peter Eramian, Stelios Kallinikou, Lito Kattou, Phanos Kyriacou, Orestis Lazouras, Nayia Savva, Constantinos Taliotis, Maria Toumazou, Leontios Toumpouris, Marina Xenofontos, Natalie Yiaxi
About
NiMAC (The Nicosia Municipal Arts Centre, associated with the Pierides Foundation), organises and presents hypersurfacing— a project curated by Marina Christodoulidou.
On the occasion of the 25th anniversary of NiMAC, the project seeks to showcase the plurality of practices among Cypriot contemporary artists, and will unfold via two platforms: an exhibition and a forum.
The exhibition, which opened on 29 November 2019, presents new body of work by twelve Cypriot contemporary artists: Raissa Angeli, Peter Eramian, Stelios Kallinikou, Lito Kattou, Phanos Kyriacou, Orestis Lazouras, Nayia Savva, Constantinos Taliotis, Maria Toumazou, Leontios Toumpouris, Marina Xenofontos, Natalie Yiaxi.
The forum, which started in early November 2019, involves a group of international curators who, in collaboration with the participating artists, attempt to activate a space for creative exchanges and meetings. Curators Ioanna Gerakidi, Ryan Inouye, Katarina Kostandinović, Luca Lo Pinto, Salma Tuqan, and Andrés Valtierra are participating in the forum. A series of events is open to the public.
Featuring photography, film, sculpture, sound, text, installations, and spatial compositions, the exhibition evolves around the concept of the surface, foregrounding its inherent presence in the work of the artists.
According to the curator, “surface is understood here as a site of emergence, where material and conceptual exchanges enable artists to articulate thoughts. It stands as the most directly apparent aspect of our environment, material or immaterial, and emerges, hence, as a process of becoming perceptible. The state of being hyper, on the other hand, presupposes a mode of over-being. And when it meets the surface, the hyper opens up to possibilities beyond materiality and signification.”
Taking the notion of the hypersurface as a starting point, the exhibition sets out to explore the prospects that arise when one witnesses an event or a process of anticipation. To do so, the artists have posited the hypersurface in their own areas of interest and research, and delved into subjects ranging from natural and urban landscapes to autobiographical and imaginary relationships, material and immaterial studies, fact and fiction. Hence, the works presented in the exhibition are both a response to and—in many ways—a reverberation of the concept of the hypersurface.
The project will be accompanied by a publication featuring essays by Misal Adnan, Marina Christodoulidou, Eoin Dara, Ioanna Gerakidi, Mattia Giussani, Ryan Inouye, Jesi Khadivi, Carlos Kong, Katarina Kostandinović, Luca Lo Pinto, Francis McKee, Ceel Mogami de Haas, Edwin Nasr, Yiannis Toumazis, Andrés Valtierra and Andreas Vrahimis.