How Far How Near

19 Sep 2014 – 1 Feb 2015

Event times

Daily 10 am – 6 pm,
Thursday 10 am – 10 pm

Cost of entry

Adults - € 15
Students, Cultural Youth Pass - € 7,50
Children and Youth - free

Stedelijk Museum

North Holland, Netherlands


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HOW FAR HOW NEAR – the world in the Stedelijk argues for a greater emphasis on art from regions outside Europe and North America, with the collection of the Stedelijk as its starting point.


Prompted by a number of recent acquisitions of work by African artists, including Dorothy Amenuke, Meschac Gaba, Abdoulaye Konaté, and Billie Zangewa, the exhibition centers around the key question of how museum collections and exhibition policies historically and today are limited and challenged in relation to geographical emphasis.

Since World War Two, the Stedelijk has developed a distinguished reputation as a museum for international contemporary art. However, artistic developments emerging in large parts of the world were largely ignored. How Far How Near explores the backgrounds and reasons underlying this paradox.

As Stedelijk Director Beatrix Ruf says, “We need to investigate in depth the research and transparency of collections and the activation of the many hidden narratives. In that way, we can expand ways of our knowledge production. The task that museum institutions have is not just expanding a collection physically, but also mentally. What other stories lay behind the works? HOW FAR HOW NEAR shows how the works in the collection of the Stedelijk can stimulate new dialogues, and that is a topic that I find pivotal.”

Presenting a broad selection of works from the Stedelijk’s historic and contemporary collections, and with new works created especially for the exhibition by Lidwien van de Ven and Godfried Donkor, HOW FAR HOW NEAR opens a fundamental debate about globalization in contemporary art.

The inspiration of the exhibition is the historic blockbuster presentation Moderne Kunst – Nieuw en Oud (1955), which occupied the then brand new wing of the Stedelijk. It presented work by modern artists like Klee, Picasso, Lipschitz, and Mondriaan amid African masks, Polynesian bark paintings, and decorated shields from Papua. In so doing, the exhibition emphasized that abstraction and expressionism, or modern art, was not tied to a particular time or place but a universal given.Moderne Kunst – Nieuw en Oud anticipated groundbreaking and much-discussed exhibitions such as Primitivism in 20th Century Art at the Museum of Modern Art in New York (1984) and Magiciens de la Terre in Centre Pompidou, Paris (1989). However, Moderne Kunst – Nieuw en Oud did not impel the Stedelijk to acquire more art from the decolonized regions or “the rest” of the world. This is evidenced in the Stedelijk’s large collections of posters and photography. The world that we see is initially viewed through a largely semi-exotic lens, which is later visualized mainly in terms of poverty, war, apartheid, and privation. It was not until the late 1980s when the Stedelijk placed greater emphasis on contemporary art from such areas, although this had scant impact on the museums’ collection strategy. And according to the three-day conference Collecting Geographies, held at the Stedelijk last March, it’s a situation common to European modern art museums. Now, following in the footsteps of other major museums such as Tate Modern and Centre Pompidou, things are changing.

How can a limited geographic focus be reconciled with the universal values we customarily ascribe to art? And if we wish to broaden our outlook, how do we select? These are urgent questions as the world becomes ever-larger and diverse voices multiply. HOW FAR HOW NEAR is only the first step towards engaging such issues. The title of the exhibition is derived from a work recently acquired by the Stedelijk, a textile sculpture created in 2012 by Ghanaian artist Dorothy Akpene Amenuke. This prominent work, which has been attracting attention for some time in the first gallery that visitors encounter upon entering the Stedelijk, tackles the problem of cultural classifications in a world subject to the age-long domination of intercontinental trade, colonization, and migration. In addition to many photos and posters from the collection, HOW FAR HOW NEAR contains “classic” work by artists including Roger Bissière, Paul Klee, Jacques Lipchitz, and Mario Merz, and contemporary artists like Iris Kensmil, Malick Sidibé, Michael Tedja, and Vincent Vulsma. Two separate photo displays present works by Ad van Denderen, Walid Raad, Koen Wessing, and a recent acquisition by Alfredo Jaar.

What to expect? Toggle


Jelle Bouwhuis

Exhibiting artists

Ed van der Elsken

Koen Wessing

Willem Diepraam

Ad van Denderen

Vincent Vulsma

Jacques Lipchitz

David Goldblatt

Mario Merz

Paul Schuitema

Willi Baumeister

Ian Berry

Michael Tedja

Alfredo Jaar

Eddy Posthuma de Boer

Robert Lebeck

Walid Raad

Iris Kensmil

Cas Oorthuys

Malick Sidibé

Guy Tillim

Sem Presser

Abdoulaye Konaté

Lidwien van de Ven

Paul Klee

Meschac Gaba


William Irwin

Gerard Fieret

Marlene Dumas

Godfried Donkor

Robert Mapplethorpe

Danny Lyon

Gordon Parks

Roger André Bissière

George Rodger

Dorothy Akpene Amenuke

Henri Cartier-Bresson

Billie Zangewa

Tito Zungu


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