In Kurdish the word "hiwa" means hope. The exhibition Highly Unlikely but not Impossibleshowcases the works of Hiwa K - an Iraqi Kurd who found political asylum in Europe almost 20 years ago, and today is considered one of the leading contemporary artists in the world. His unique artistic tactics are based on creating the form using of the practices of everyday life, childhood memories, upbringing and family anecdotes. His oeuvre — a combination of autobiographical elements with things he overhears and fictional stories — sheds a new light on matters such as refugees, functioning in another culture, as well as the geopolitical conditions of human existence.
The exhibition, constructed in relation to the architecture of Zachęta, gives the viewer an insight into the artist’s practices and enables them to experience its spatial aspects. Knowledge and multisensory experiences come together in the arresting, multi-layered message.
Located in the Matejko Room is the monumental installation What the Barbarians did not do, did the Barberini, made of five sand mastaba-like forms, replication of coffers from the Pantheon in Rome. As they are located on the floor, we are able to see deformations, which, thanks to optical illusion, give the interior of the copula a harmonious form. Projected on the walls are scenes of sand casting of utilitarian forms made of bronze alloy, formed using metals taken from battlefields of Iraq. Hiwa K reminds us how the solid matter circulates between the fields of culture and war.
War is the very origin and bonding material of Hiwa K’s art, because it is war that forced him to undertake a dramatic journey on foot to Europe, full of dramatic shifts. In the video works gathered in the Narutowicz Room, the artist puts us into situations that resemble those of his own. His personal history is presented via fictionalised narratives, activities and riddles made into house-like maze in which the viewer may experience crampedness, anxiety and discomfort. The artist leads us from prisons and shelters, through ruins of bombarded cities to Europe, with all its material heritage and problematics of the public space.