A hedge can be the product of a structure set in motion a thousand or more years ago. A network of nature, a political barrier on fertile land, a corridor for wildlife, a folkloric path for witches; life teems, twists one against the other, the ages are marked by the addition of new species.
Zachary Beer treats these forms as a natural calligraphy demarking the land, creating paintings that explore these intricate patterns, complex structures and synecdoche.
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