Exhibition

Hayley Newman and Emily Speed

1 Mar 2013 – 6 Apr 2013

Event times

Open Wed - Sun, 1-6pm

Castlefield Gallery

Manchester, United Kingdom

Address

Travel Information

  • No.2 Metroshuttle Bus
  • Metrolink Tram: Deansgate/Castlefield
  • Deansgate Train Station

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Head to Head

About

Castlefield Gallery is pleased to present its annual Head to Head exhibition featuring new work by Hayley Newman and Emily Speed. Programmed under the gallery's 2012/2013 overarching theme of World In Transition their work explores the relationship between the body and architecture. Using an eclectic range of media from sculpture and video to performance and writing, their work can be seen to continue a tradition in female performance and sculpture that explores physical limitations and mental or emotional trajectories, orchestrating narratives that play with the precariousness of the body's relationship to one's environment.

The exhibition will open with drawing and photographic works by the artists including Newman's key 2004-2006 work The Volcano Lady; two photographs documenting a performance of the artist wearing a costume designed to resemble a live volcano and Speed's drawings of bodies with deeply crusted architectural skin, carapace or armour, where only the legs are free to move; their work shares a mutual interest in the use of humour and sexuality to mischievously coerce the tension between the physical and the metaphysical.

Major new works will include Newman's Domestique consisting of over fifty donated used dishcloths with embroidered faces, made using ribbons, sequins, peals, embroidery silks and buttons. Produced at home between 2010 and 2013 - whilst in a state of absentmindedness - listening to the radio or watching films, the dishcloths are elevated from lowly discarded status to anthropomorphic objects of beauty. Poised like portraits, the faces are reduced to simple gestural lines and like masks reveal or conceal a mix of emotions.

Newman's new work Façadism is a selection of short stories presented as a photocopied book that goes by the same title as this lauded and decried architectural phenomenon of demolishing a building while preserving its façade. She has written about faces; the face of a conman, a woman experiencing a form of facial numbness or two people catching a glimpse of each other across a room. Made within the wider context of social and public realm work and her interests in the current economic and ecological crises, the personal and political, Histoire Économique is a series of rubbings of details from the exteriors of banks on used envelopes, referencing Max Ernst's series Histoire Naturele, a major work in the history of frottage. The rubbings were inspired by Newman's own performance as a bank rubber, recorded in her forthcoming novella Common in which she documents her endeavours of playful protest as the Self Appointed Artist-In-Residence in the City of London.

Inspired by the stories of the French surrealist novelist Marcel Aym, Speed explores the incredible scenarios that converge with the real limitations, such as a woman who can make copies of herself, or a man who can walk through walls but one day gets stuck inside a wall for eternity illustrating total impossibilities. Speed's new work Build Up is new sculptural piece with stills and moving image developed with acrobats in Manchester's iconic Toastrack building. Working with bodies and the architecture itself, the work features a series of exercises in construction, where the body becomes an element in a cyclical repetition of movement developing a rhythm of building and collapsing. The work continues to explore a previous work Human Castle or Castell, a Catalonian tradition dating form the 18 Century, originally developed for the Edinburgh Art Festival, using the body as building material; and the Czech writer Petr Kral's work In Search of the Essence of Place, a memoir in which the places he visits are the protagonists and people are merely shadows, Speed explores the psychology of space and the idea of the body as a building for housing the mind.

Castlefield Gallery has commissioned an essay by Tracey Warr to coincide with the exhibition that will be available to read for the exhibition. Warr is writer, curator, teacher and Senior Lecturer in Contemporary Art Theory at Oxford Brookes University.

Castlefield Gallery would like to thank Haleh Moravej, Senior Lecturer at Manchester Metropolitan University for her kind support with Emily Speeds Build-up project.

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