The installation consists of a simple framework of walls covered with wallpaper under a skylight roof and with a podium where art objects, fashion and design objects have been placed in the same way that a shop window displays its products.
FOS calls this presentation a new ’genre figure’. By removing the project from the classic exhibition gallery and placing it in the CC foyer, a commercial space with reception, shop, and corridor space, FOS brings several different elements into play.
HANDS SMOOTH BY COINS examines the hierarchy and tension between the exhibition space and commercial shop windows. In contrast to the white exhibition space, where attention is dedicated entirely to the many aspects of the artworks, FOS’s presentation plays with the commercial format of the shop window. The exhibited objects, each one a result of an artistic process, co-exist unregistered like products and the difference between art object and design object seems to dissolve. This very aspect is emphasised by the fact that several objects, in their material and design, echo a previous exhibition.
FOS is internationally acclaimed for his uncompromising works of art, examining the boundary between art and design. In his practice, he chiefly sets out to examine how our physical surroundings and social relations influence one another.
He frequently creates art for public spaces and hence social aspects shape the context in which FOS produces his works comprising both passive and active platforms where new social opportunities, encounters, activities, and experiences develop between people.