Galerie Tanja Wagner is pleased to show new works by Grit Richter. Grit Richter explores the representation of a collective human memory: an innately understood set of gestures and feelings that cannot be quantiﬁed or measured. Her multi-disciplinary practice of painting, sculpture, murals and textile work unites in a system of intuitive abstract forms and ﬁgurations. Foremost a painter, she uses oils on stretched linen and fabric to create her anthropomorphic abstract forms. Experimentation is an important part of her practice and led Richter to create her unique technique of dying and bleaching black denim fabric onto which she paints and sculpts with. The result is the deeply textured elements that bend, fold and contrast in both foregrounds and backgrounds. ›Mixed Feelings‹ refers to the multitudinous combinations of contradictory emotions that can be felt at any one time. In both their singularity and plurality, those mixed emotions, such as longing, hatred, love, fear, loneliness, frustration, shame and joy, constitute the substructures of identity and the complex diversity of human nature. It is these undeﬁnable emotions that Richter formalises in her distinctive visual language in an exhibition that activates the whole gallery with new paintings, sculptures, neon and mural works. Richter’s abstraction moves closer to ﬁguration as her forms acquire ever more representational elements such as limbs and hands: as two shapes intertwine in the painting The Inner Security (2020), a lone arm and hand opens the mood of their embrace to many readings. The dark, gridded dimensions in her paintings form the habitats in which the painted ﬁgures are set. A further evolution is her development of the dark gridded dimensions that form the habitats in which her painted ﬁgures are set. Reminiscent of early computer graphics, they arouse a more recent collective memory as they gently recall the beginning of a world created from binary code that is now so much a part of our daily lives. Richter addresses in particular the theme of motherhood in a number of works created after the pandemic lockdown. Its intense and sometimes conﬂicting emotions, challenges and the strong connection between mother and child ﬁnd form in fabric covered sculptures. All with disproportionally long and thin limbs, the ﬁgures contrast in almost every other respect. The ﬂat oblong pink body of ›Fatigue Moms (01)‹ (2020) reclines on the ﬂoor and is both exhausted but also contorted into a posture that suggests the provision of a seat, as a mother often does for her child. ›Fatigue Moms (02)‹’s (2020) bulbous red velvet silhouette evokes a prehistoric fertility ﬁgurine whose sturdy but soft form implies security and comfort. Resembling a small mattress slumped against the wall, ›Fatigue Moms (03)‹ (2020), has no energy left for composure or comportment and simply sags in momentary defeat.
Grit Richter was born in Dresden in 1977 and lives and works in Hamburg. She studied at the College of Fine Arts in Dresden and Hamburg in the class of Prof. Norbert Schwontkowski.
Her works have been exhibited in several solo and group exhibitions (selected): Museum im Prediger, Schwäbisch Gmünd; Kunst- und Projekthaus Torstraße 111, Berlin (2020); salondergegenwart 2019, Hamburg; C. Rockefeller Center for the Contemporary Arts, Dresden; Showroom MTFA, München (2019); VG & S Art & OFFICE IMPART, Hamburg (2018); Museum Gunzenhauser, Kunstsammlungen Chemnitz (2017); Vanha Paukku Cultural Center, Lapua, Finnland (2016); Frappant e.V., Hamburg (2014); Deichtorhallen Hamburg / Sammlung Falckenberg, Hamburg (2013).