Hofsäss and Raschke have developed a series of works based on their impressions of the habits, traditions and iconography central to Sweden's 'self-mythology'. Raschke's astonishing wire sculptures of ordinary domestic objects are paired with Hofsäss' ghostly large-format negative photographs of Swedish day-to-day life and displayed alongside some of the furniture and designs considered quintessentially 'IKEA' in response to the clean living, minimalist design, and Nordic democracy with which Scandinavia is associated.
This IKEA-inspired one-size-fits-all lifestyle chafes against the two German emigres. A major concern is the principle of transparency - the idea that political debates and the philosophical foundation of social interaction are based on openness. In Sweden in particular the commitment to openness is such that it is possible to discover almost anything about anyone (how much they earn, who they are married to etc). Inspired by this, Hofsäss and Raschke's work allows us to look both at, and through, the way that another culture sees itself and perhaps also to pose questions about how we see ourselves.
UH Galleries' Artistic Director Matthew Shaul: 'Thomas and Tobias' exhibition quite literally presents the world in a way in which we have never seen it, with an intricacy and insight that is both very exciting and totally unfamiliar.'