Great Hall Of The People

About

Wollers deals within the synchronicity of escapism and critique of the real as imaginary, that has to spin his position through the aporia of the involvement in the economic and political power games.

It remains as a demonstration of the synchronicity of inclusion and exclusion both in the social and the aesthetic sense. An art crowd is never a good crowd and yet, despite all this, there is still the open question of the  utopian potential of the art and every artwork is a materialised speculation on undisclosed future possibilities of the human condition.

The title of the exhibition plays with the false idea of the community of the people  that appears as a regime imposed to overthrown and turn everything into an idea of openness.

Thus, the associations triggered by the exhibitions pretentious title holds the tension between the 

idea of togetherness and peacefulness it implies, either a deliverance as a tool of ideological

seduction.