Exhibition

Garrett Bradley: Safe

23 Sep 2022 – 29 Oct 2022

Regular hours

Friday
10:00 – 18:00
Saturday
10:00 – 18:00
Sunday
10:00 – 18:00
Tuesday
10:00 – 18:00
Wednesday
10:00 – 18:00
Thursday
10:00 – 18:00

Free admission

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Lisson Gallery | 67 Lisson Street

London
England, United Kingdom

Travel Information

  • Marylebone/Edgeware Road
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The American artist and filmmaker Garrett Bradley opens her inaugural exhibition with Lisson Gallery this autumn.

About

Safe (2022) is the second in a trilogy of short films that explore the nuanced overlap between women’s interior and exterior lives. The film succeeds AKA (2019), a cinematic meditation on the intergenerational relationships between mothers and daughters which probes the interconnection of white and black women, as it is portrayed in classic American cinema.

If AKA looked to exterior relationships, Safe focuses on inner life, which the artist likens to “entire worlds which may be elusive or indiscernible, but remain vivid, infinite and parallel to the outside world.” Working again with Donna Crump (America) and Aloné Watts (Alone, America), this new work explores an attempt to capture the ineffable nature of interior emotions. Seizing on the medium's predicament of expression – given that the interior is not discursive and cannot be fully represented – Bradley suggests that the interior is a radical, even political space of Black life that is often dismissed for its resistance to description; in this case, one’s ability to visualize intuitioninstinct and an increasing sense of paralysis in modern life. Visual metaphor is treated as a means to approximate interior emotion (and lesser-known histories), which Bradley suggests as a potent and meaningful form of human expression. 

Exhibited as a three-channel film, the work utilises both black-and-white and colour, 35mm film and HD video. Bradley’s soundscapes draw from the exterior world (street corners, city sirens, public parks), and include evocative fragments of language which are directly culled from research. The score runs concurrently across all three of 67 Lisson Street’s exhibition spaces. 

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Garrett Bradley

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