Frieze London is sponsored by Deutsche Bank for the 12th consecutive year, celebrating a shared commitment to discovery.
Unrivalled in quality, range and depth, Frieze London 2015 provides a discerning perspective on contemporary art, utilising the expertise of leading curators including Nicola Lees (Curator, 31st Biennial of Graphic Arts, Ljubljana), Clare Lilley (Director of Programme, Yorkshire Sculpture Park) and Gregor Muir (Executive Director, ICA, London) across its feature sections and programme.
From the emerging to the iconic
For the 13th edition, 164 galleries from 27 countries will present the work of some of today’s most significant and exciting contemporary artists.
In the main section, solo presentations include Camille Henrot (Galerie Kamel Mennour, Paris); Chris Martin (Anton Kern Gallery, New York); Ken Okiishi (Pilar Corrias, London); Xu Qu (Almine Rech Gallery, London) and Mary Weatherford (David Kordansky Gallery, Los Angeles) while, return- ing to Frieze London, Simon Lee Gallery (London) presents a sequence of three specially conceived solo presentations by Valerie Snobeck, Toby Ziegler and Heimo Zobering, changing the stand over the course of the fair. Other notable presentations include 42 sculptures on a forest of plinths (Hauser & Wirth, London), new works made by artists in dialogue with architect Luis Barragán’s iconic House and Studio in Mexico City (Taka Ishii Gallery, Tokyo) and a stand dedicated to Abraham Cruzvillegas and Jimmie Durham (kurimanzutto, Mexico City) – both of whom will have significant exhibitions at London institutions during the fair.
Evolving into the definitive destination for young galleries, the Focus section, advised by curators Raphael Gygax (Migros Museum, Zurich) and Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chica- go), offers a chance to discover exciting emerging talents. Solo stands include ￼￼￼￼￼￼￼￼￼￼￼an historic installation by recently rediscovered Polish artist Maria Pininska-Beres (David Radziszweski, Warsaw); a new film installation by Amie Siegel, developing the themes of her 2014 presentation at the Metropolitan Museum of Art, New York (Simon Preston, New York); a floor-based ‘water relief ’ by young UK talent Samara Scott (The Sunday Painter, London) and a multifaceted ceramic presentation by another up-and-coming British artist, Jesse Wine (Limoncello, London).
The Live section develops from its critically acclaimed debut to encompass varied formats, including: portrait sittings with an humorous outcome by Ken Kagami (Misako & Rosen, Tokyo); an auditorium-based choreography by Edward Thomasson & Lucy Beech (Southard Reid, London); a re-enact- ment of Xifopagas Capilares (1984), a rare work by Tunga (Galeria Franco No- ero, Turin and Luhring Augustine, New York) and an intimate, installation- based encounter by Amalia Ulman (Arcadia Missa, London). For the first time, Live is also curated by Raphael Gygax and Jacob Proctor.