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Workshop

Embroidered Digital Commons workshops with Ele Carpenter and Emilie Giles

3 Mar 2012 – 27 Apr 2012

London, United Kingdom

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Travel Information

  • 4, 19, 29, 106, 153, 210, 236, 253, 254, 259, W3, W7
  • Manor House, Finsbury Park, Harringay Green Lanes

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About

All welcome The Embroidered Digital Commons is a collectively stitched version of ‘A Concise Lexicon of/for the Digital Commons' by the Raqs Media Collective (2003). The project seeks to hand-embroider the whole lexicon, term by term, through workshops and events as a practical way of close-reading and discussing the text and its current meaning. Part of the Being Social exhibition at Furtherfield Gallery. Would you like to stitch the Digital Commons with us? Furtherfield invites all gallery visitors to take part in one or more of our Saturday morning embroidery sessions and come together to stitch the term 'Meme' from the lexicon for the Digital Commons, chosen in relation to the theme Being Social. A cultural ‘meme' is the way in which an idea spreads through social networks. We are inviting crafters, programmers, artists, makers, and people interested in working collaboratively, or taking part in participatory projects to each stitch a few words of the term meme, as described below. The resulting patches will then be turned into a short film depicting the sequence of embroideries. MEME Meme: The life form of ideas. A bad idea is a dead meme. The transience as well as the spread of ideas can be attributed to the fact that they replicate, reproduce and proliferate at high speed. Ideas, in their infectious state, are memes. Memes may be likened to those images, thoughts and ways of doing or understanding things that attach themselves, like viruses, to events, memories and experiences, often without their host or vehicle being fully aware of the fact that they are providing a location and transport to a meme. The ideas that can survive and be fertile on the harshest terrain tend to do so, because they are ready to allow for replicas of themselves, or permit frequent and far-reaching borrowals of their elements in combination with material taken from other memes. If sufficient new memes enter a system of signs, they can radically alter what is being signified. Cities are both breeding grounds and terminal wards for memes. To be a meme is a condition that every work with images and sounds could aspire towards, if it wanted to be infectious, and travel. Dispersal and infection are the key to the survival of any idea. A work with images, sounds and texts, needs to be portable and vulnerable, not static and immune, in order to be alive. It must be easy to take apart and assemble, it must be easy to translate, but difficult to paraphrase, and easy to gift. A dead meme is a bad idea."

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