Exhibition

disPLACED

20 Jan 2018 – 10 Feb 2018

Event times

Tuesday, Thursday & Friday 12:00hr-18:00hr, Wednesday 12:00hr-20:00hr, Saturday 12:00hr-16:00hr

Cost of entry

FREE ADMISSION

London, United Kingdom

Address

Travel Information

  • Tube: Euston/Kings Cross St. Pancras

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Contemporary Arts ReSearch Unit (CARU) presents a group exhibition in the beautiful P21 gallery. The show includes a solo exhibition by Lebanese artist Alissar McCreary, which showcases her practice-based PhD research.

About

Exhibition Dates: 20th January – 10th February 2018

Curators: CARU | Contemporary Arts ReSearch Unit

Artists:  Alissar McCreary, Janice Howard, Robin James, Ray Hedger, Katie Taylor, Alex Newton, Fiona Harvey, Anna Yearwood, Aldobranti andBlanca Rodriguez Beltran …as well as those who participated in the disPLACED workshops.

Contemporary Arts ReSearch Unit presents a group exhibition in the beautiful P21 gallery. The show includes a solo exhibition by Lebanese artist Alissar McCreary, which showcases her practice-based PhD research.

Upstairs on the ground floor, the exhibition brings together artists whose work evokes a wide range of responses to the title theme ‘disPLACED’. The works include photography, video, painting, prints, sculpture, as well as an accumulative installation of small figurines made by the public. Visitors are invited to create and add their own little person to the installation.

Downstairs, Alissar McCreary presents the culmination of her seven-year research into her experience of displacement as a Lebanese refugee. Her PhD, titled “Hybrid Residues/Memories: Utilising active participation within sculptural art practice as a direct form of communication to implicate experiences of war and displacement.”, explores the reciprocity between art, active participation, and traced memories of displacement. ‘The aim of my research is to examine what American philosopher and artist David Abram calls ‘sensorial empathy’. In my thesis I have appropriated the term and redefined it as the ‘silent sense’. I interpret this ‘silent sense’ as a kind of connection or ‘knowing’ that we intuitively recognise but cannot always articulate or express with language. I am interested in how and when sensorial empathy takes place, and how it might affect the viewer’s perception of the displacement which is happening every day to millions of people in the world.’

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