Daniel Vlček once gave up painting to get back to it after making a detour, gaining experience with freetekno and several music formations of diverse genres. His latest visual paraphrases of sound phenomena, whether they are painted on canvases, scratched into walls or have the form of audiovisual installations, thus include residues of the soiled psychedelia of techno aesthetics as well as allusions to modernist transcriptions of sound into image.
He often starts by exploring the particular acoustic phenomenon by means of electronic instruments. It seems that we should be able to replay the time record of his working process. However, the replaying of this painting ritual has the form of the perception of the image structure, whose geometry has accepted the subcultural dialect and whose controlled shape was disrupted by imperfections and mistakes.