Since the late 1980’s, Hirst has used a varied practise of installation, sculpture, painting and drawing to explore the complex relationship between art, life and death. Explaining: “Art’s about life and it can’t really be about anything else … there isn’t anything else,” Hirst’s work investigates and challenges contemporary belief systems, and dissects the tensions and uncertainties at the heart of human experience. Hirst developed his interest in exploring the “unacceptable idea” of death as a teenager in Leeds. From the age of sixteen, he made regular visits to the anatomy department of Leeds Medical School in order to make life drawings (‘With Dead Head’ (1991)). The experiences served to establish the difficulties he perceived in reconciling the idea of death in life. Of the prominence of death in his work (‘A Thousand Years’(1990)) he has explained: “You can frighten people with death or an idea of their own mortality, or it can actually give them vigour.” Damien Hirst is an individual who it not scared of challenging beliefs or venerated institutions on the grounds that they are erroneous or pernicious a true iconoclast for our modern age. Damien Hirst has had exhibitions in the most prestigious gallery’s and museums during his long established career.