Class
Course: 10 Freehand Lessons (Luci Eyers)
20 Sep 2023 – 29 Nov 2023
Regular hours
- Monday
- Closed
- Tuesday
- Closed
- Wednesday
- 18:00 – 20:30
- Thursday
- Closed
- Friday
- Closed
- Saturday
- Closed
- Sunday
- Closed
Cost of entry
£190.00*
Address
- 1st Floor 26 Exmouth Market
- London
England - EC1R 4QE
- United Kingdom
Travel Information
- 19, 38, 341, 63
- Angel, Farringdon
- Farringdon, Kings Cross
In these 10 evening lessons we will investigate different fundamental facets of drawing and give you confidence in your ability to sketch and make visible your ideas more effectively.
About
COURSE DESCRIPTION
Over the course you will gain confidence and more fluidity as a drawer using pencil, ink and charcoal. Each session takes one element of drawing as its starting point: line, tempo, generic/specific representation, volume, framing & margins, interior & exterior spaces, the use of erasure & tone, scale & proportion, perspective, and repetition & variation. Luci Eyers designed the course for keen drawers from different professions and levels of experience - with a bit of art history thrown in. Feedback and discussion within the small (max.10) group is an enjoyable part of learning within our friendly studio.
Materials are included.
20 September – 29 November (A week off on 25 October)
6-8.30pm, Wednesdays
Location: Studio, 26 Exmouth Market, EC1 4QE
Access: The studio is on the 1st floor with no lift
*Note: STUDENT/UNWAGED discount of 33% Use the code: student-33 at checkout
WHO
This course will suit architects, designers, engineers, artists, and students and professionals from the creative industries who would like to improve their drawing skills and their understanding of the potential drawing has as a medium.
BIO
Luci is a painter and educator, and director of Eye to Pencil. She studied at the Slade, then participated in 2012 in the studio programme at Turps Art School, later mentoring on Turps Correspondence Course. Luci works predominantly in watercolour with images sourced from her imagination however looking at drawing in its widest sense has always been an important part of her practice.