Exhibition

Claire Baily: Skeleton Key

18 May 2018 – 23 Jun 2018

Event times

Friday & Saturday, 12 - 6pm and by appointment

Castor Projects

London
England, United Kingdom

Address

Travel Information

  • Overground - New Cross or New Cross Gate

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Castor is pleased to present Skeleton Key, Claire Baily’s second exhibition with the gallery which brings together a new series of wall based objects and freestanding sculpture.

About

Castor is pleased to present Skeleton Key, Claire Baily’s second exhibition with the gallery which brings together a new series of wall based objects and freestanding sculpture.

With a broad reaching interest in both the abstraction of time and the semiotics of history, from ancient tablatures to the modern day, she appropriates ideas of mark making and industrial process through a deep understanding of materials, form and design.

Sitting somewhere between the sculptural (mass, materiality, carving) and painting (surface quality, flatness and the drawn line) these pieces acknowledge the history of communication; simultaneously ancient and futuristic.

A skeleton key is a type of master key in which the serrated edge has been filed down so that it can open numerous locks, most commonly the warded lock. The term derives from the fact that the key has been reduced to its essential parts.

The wall based sculptures incorporate a purposefully abstract language, alluding to both familiar and unusual symbols. The brass forms collectively create a key, or menu, which are set flush into the surface and offset against a deep oiled black. The internal cut forms take inspiration from the tools of metalworkers and clock makers, which due to their intricacy are often beautifully crafted forms themselves.

Whereas previous works have been made by casting jesmonite panels, Skeleton Key sees Baily explore uses of Valchromat, a sheet material often used in furniture making and interiors. The drawn line and details are made by a CNC router to emulate the precision of the clockmaker. While brass is used to elevate, frame and fill in details within the surface, a material heavily associated with the mechanisms and tooling involved in clock making.

Claire Baily  (b. 1986, Worcester) lives and works in London. Graduated from Fine Art Practice BA, Goldsmiths College, London (2010). Claire had her first solo exhibition at Castor: Dream On, 2016. Recent exhibitions include: Manchester Contemporary Fair, Castor, Manchester, 2017; Affix (2 person show with Ian Jackson), Losers Gym, Nottingham, 2016; Pool at The Cut, The Cut, Halesworth, 2015, Poppositions Art Fair, Millington | Marriott, Brussels, Belgium, 2015

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Exhibiting artists

Claire Baily

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