Clade, vaguely

About

The show presents 12 biomorphic sculptures and botanical monoprint collages in a range of sizes. 

Massey's practice is concerned with the manifestations of nature and the systemic organization of clade-like free-form organismal objects created from common, everyday materials. In her practice, Christina speculates on a future of Anthropocene, shining the light on the possible man-made impact onto the biological forms. The preservation of our environment and appreciation for nature reveals itself through her choice of materials and form. Each work asks the viewer to stretch their imagination and invites their curiosity in a struggle to identify their marks, engaging in the creative process through the act of exploration of the Art.

Christina Massey’s work has exhibited extensively in over a dozen solo exhibitions including with the Noyes Art Museum, Rush Arts Galleries, Brown University and abroad in cities such as London, Toronto, and Tokyo. She has won multiple awards for her work including most recently the SIP Fellowship at the EFA Robert Blackburn Printmaking Workshop, Puffin Foundation Grant, Mayer Foundation Grant and Merit Scholarship at Urban Glass. Massey’s work can be found in multiple private and public collections including the Janet Turner Museum and Credit Suisse. She currently lives and works in Brooklyn, NY.

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