Cheng Ran - Diary of a Madman: Manchester Plan, New Bees

25 Oct 2019 – 12 Jan 2020

Regular hours

10:00 – 17:00
10:00 – 17:00
12:00 – 17:00
10:00 – 17:00
10:00 – 17:00
10:00 – 17:00

Save Event: Cheng Ran - Diary of a Madman: Manchester Plan, New Bees4

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esea contemporary

England, United Kingdom


Travel Information

  • The nearest bus station is Shudehill Exchange, and Piccadilly Gardens is also a 5 minute walk away.
  • The nearest tram station is Shudehill.
  • Manchester Victoria is a 5 minute walk from the venue. Manchester Piccadilly is a 10 minute walk.
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CHENG RAN is a video artist working and living in Hangzhou, China. His latest work Diary of a Madman: Manchester Plan, New Bees, is a multi-channel installation that is filmed entirely in Greater Manchester, linking with the city and its people.


Diary of a Madman: Manchester Plan, New Bees, is based on Cheng Ran’s short-term residency at CFCCA and his research into Greater Manchester’s urban culture. It is a commissioned work which also serves as a new chapter in Cheng’s Diary of a Madman series; an ongoing project consisting of three parts, each filmed in a different city. These works were completed during short residencies in New York, Jerusalem and Hong Kong between 2016 – 2017, making the project a visual trilogy of a phantasmal journey across three vastly different cultural spheres. Manchester Plan, New Bees will continue this journey.

At the core of this project, Cheng Ran explores how we experience new cities and their unfamiliar geographies and living spaces, from the perspective of a visitor and a stranger. He examines how these experiences are often characterised by the allure of fantasy and the ‘unknown’ but can also cause isolation and a sense of ‘otherness’. He strives to challenge the boundaries of languages, creating surreal representations of the cities he visits.

Manchester Plan will begin with Cheng Ran’s personal interpretation of the city of Manchester based on memories, illusions, news and indirect experience. The work will consist of multi-screen unsynchronised videos, photography and installation sculptures. In addition, Cheng Ran introduces elements of live performance to highlight the importance of reciprocal relationships which exist between residents and outsiders within a city.

The project is a co-commission with the University of Salford Art Collection and videoclub.

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Cheng Ran


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