Exhibition
Bárbara Wagner & Benjamin De Burca: Five Times Brazil
30 Jun 2022 – 16 Oct 2022
Regular hours
- Thursday
- 11:00 – 21:00
- Friday
- 11:00 – 18:00
- Saturday
- 11:00 – 18:00
- Sunday
- 11:00 – 18:00
- Tuesday
- 11:00 – 18:00
- Wednesday
- 11:00 – 18:00
Cost of entry
Adult: $18 (Concessions available)
Address
- 235 Bowery
- New York
New York - NY 10002
- United States
Travel Information
- From the East Side of Manhattan Take the downtown 6 train to Spring Street. Exit the station and walk one block north on Lafayette Street to Prince Street. Turn right and proceed until Prince Street ends four blocks later at Bowery. From the West Side of Manhattan Take the downtown N or R train to Prince Street. Exit the station and proceed east on Prince Street for six blocks to Bowery. You may also take the downtown D or F train to Broadway/ Lafayette. Walk three blocks east to Bowery and turn right two blocks to Prince Street. From Brooklyn Take the Manhattan-bound F train to 2nd Avenue. Exit at Houston Street and walk one block west to Bowery. Turn left, and proceed two blocks south to Prince Street. From Queens Take the Manhattan-bound F train to 2nd Avenue. Exit at Houston Street and walk one block west to Bowery. Turn left, and proceed two blocks south to Prince Street.
This will be the first survey exhibition in the United States featuring works by Bárbara Wagner and Benjamin de Burca.
About
Working together for a decade, Bárbara Wagner (b. 1980, Brasília, Brazil) and Benjamin de Burca (b. 1975, Munich, Germany) produce films and video installations that feature protagonists engaged in cultural production. The duo typically collaborates with non-actors to make their films, from writing scripts to staging performances on camera. The resulting works are marked by economic conditions and social tensions present in the contexts in which they are filmed, giving urgency to new forms of self-representation through voice, movement, and drama.
Installed on the Third Floor, “Five Times Brazil” will focus on five projects developed by the artists during a period of socio-political turmoil in Brazil: Faz que vai [Set to Go] (2015) focuses on four dancers whose practices complicate Brazilian traditions; Estás vendo coisas [You are seeing things] (2016) delves into the landscape of Brega music in Recife; Terremoto Santo [Holy Tremor] (2017) investigates the accelerated growth of evangelical religions; Swinguerra (2019), commissioned for the Brazilian Pavilion in the 58th Venice Biennale, looks into popular dance competitions; and a new piece features a theater group associated with the Movimento dos Trabalhadores Rurais Sem Terra (Landless Workers’ Movement)—an organization that fights for land reform and against social inequities affecting rural workers in Brazil.