Bread and the City

About

Commencing with a free communal lunch followed by screenings and discussions Bread and the City includes contributions from Laura Wilson, writers Jane Levi and Carolyn Steel, and artist and curator Jo Capper.

Bread and the City has evolved from Laura’s ongoing research project  Trained on Veda, a project that connects bakeries and galleries nationally and continues her interest into the historical agency of materials. Trained on Veda was initiated during Wilson’s residency at Delfina Foundation in 2016, and is developed with TACO!, Site Gallery, Grand Union and Middlesbrough Institute of Modern Art. Supported by Arts Council England.

As part of the project Laura has been working with Marc Darvell from Darvells, a family run bakery in Chesham to make a malted loaf inspired by this history. Trained on Veda aims to reintroduce veda bread to mainland UK again collaborating with a network of galleries & bakeries, enabling people to taste this historic bread and to generate discussion.

Veda bread is a dark brown malt loaf which was created in 1900, and became popular across the UK in the early part of the 20th Century and bakeries selling veda bread opened in most cities across the UK. It had a uniquely malted taste, which was easily digestible, full of vitamins and a long shelf-life (five to seven days) and due to its unique properties it was sent out to the soldiers in WW1 as it would reach the trenches fresh, and would keep them healthy. Today it is only made in Northern Ireland.

For further details about the project go to www.trainedonveda.com
 

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Jo Capper is an artist educator and Collaborative Programme Curator, Grand Union . She is interested in the phenomenology of the making process and developing new structures for living. With a special interest in alternative creative educational practices, community building and the cultural specifics of human conviviality. She has initiated “The Growing Project" a city centre community led growing scheme in Birmingham which offers possibilities for new post industrial landscapes.  She was a founding member of Bearwood Pantry, a community led food activist group, and currently sits on the board member of the new Bearwood Community Hub.  She also co-directs Public Artist Limited a community interest company that is working to facilitate creative developments between community, commerce and culture. www.publicartistlimited.org

Jane Levi is a writer, researcher, and co-founder of Edible Utopia, the artists' and growers’ co-operative urban farming project at Somerset House. Her research speciality is utopianism and food; with a focus on utopian visionaries through history, and space food. Her recent work includes the co-authored Food Politics & Society (University of California Press, 2018), an exhibition for the Foundling Museum ("Feeding the 400"), and chapters for Delfina Foundation’s Politics of Food (2019) and Bloomsbury’s The Cultural History of Plants (2019).

Carolyn Steel is a leading thinker on food and cities. Her 2008 book Hungry City: How Food Shapes Our Lives is an international best-seller and her concept of sitopia (food-place) has gained broad recognition across a broad spectrum of academia, industry and the arts. A director of Kilburn Nightingale Architects in London, Carolyn studied at Cambridge University and has since been a visiting lecturer at Cambridge, London Metropolitan and Wageningen Universities and at the London School of Economics. Carolyn is in international demand as a speaker and her 2009 TED talk has received more than one million views. Her next book, Sitopia: How Food Can
Save the World, is published by Chatto & Windus in March 2020.

Laura Wilson is interested in how history is carried and evolved through everyday materials, trades and craftsmanship. She works with specialists to develop sculptural and performative works that amplify the relationship between materiality, memory and tacit knowledge.

Wilson’s interdisciplinary and research-based works have been exhibited widely including at: Norwich Castle Museum & Art Gallery as part of New Geographies (2020); V&A, London; Nicoletti Contemporary, London; and Bloomsbury Theatre, London (2019); The British Museum, London, UK with Block Universe; Kettle’s Yard, Cambridge, UK; and The Petrie Museum of Egyptian Archaeology, London, UK(2018); SPACE, London; Guest Projects, London; and Invisible Dust (2017); Delfina Foundation (2016 & 17) RIBA, London; and Site Gallery, Sheffield UK (2016); Whitstable Biennial (2014); Camden Arts Centre, London and Turner Contemporary, Margate (2013); W139, Amsterdam and De Warande, Turnhout, Belgium (2012). Wilson has forthcoming projects with Mansions of the Future & The Collection, Lincoln and recently has been awarded the Jerwood New Work Fund and an A-N Bursary 2020 towards new projects in 2021.