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photo credit: September Dawn Bottoms / New York Times / Redux / eyevine
Exhibition
BONJOUR (stockings, shoes, hairpins)
4 Jun 2021 – 20 Jun 2021
Regular hours
- Monday
- Closed
- Tuesday
- 10:00 – 18:00
- Wednesday
- 10:00 – 18:00
- Thursday
- 10:00 – 18:00
- Friday
- 10:00 – 18:00
- Saturday
- 10:00 – 18:00
- Sunday
- 10:00 – 18:00
Address
- 48 Falcon Road
- London
- SW11 2LR
- United Kingdom
Travel Information
- Clapham Junction Rail, take the Grant Road exit, turn right and then left onto Falcon Road, we are five minutes walk on the left hand side of Falcon Road
ArtLacuna (London, UK) is proud to announce the opening of BONJOUR (Stockings, shoes, hairpins) curated by Claudia Dance-Wells, presenting the works from Jordan Derrien and Antoine Duchenet.
Open: 4/06-20/06, by appointment only
About
ArtLacuna (London, UK) and W (Pantin, FR) are proud to announce the opening of BONJOUR (Stockings, shoes, hairpins) and BONJOUR (The situation is not new), two exhibitions simultaneously curated by Claudia Dance-Wells, in London, and Marie Gautier, in Pantin; presented works are from Jordan Derrien and Antoine Duchenet.
An ambiguous silhouette is composed by duplication, twinning and recurrences, during this counterpoint show called BONJOUR distributed between two cities. Although Stockings, shoes and hairpins obviously conceals and contains the pairing leitmotiv at the source of this project, The situation is not new echoes and doubles this last. It strives, so to speak, on provoking reverberation.
Jordan Derrien will be presenting a new series of canvases, amongst ready-made and paintings, surfaces and objects. He manipulates different types of wood, textures and door handles to create, as final composition, a drawer. The handle transmutes the seeming abstract painting into a piece of furniture with haptic virtues.
Antoine Duchenet will reveal recent sculptures from his Intarsia series. Structured by means of orthogonal units of representation adjusted to the different elements they contain, these squared volumes are made of chromed steel tubes and are built as stands for all kinds of arrangements. They present, align and organize, with the schematic rigor of a diagram, a selection of clearly new and very slick shapes, open to a fluid gaze. For these purely accessory objects matters mostly silhouette, profile and contours, they obey a protruding stillness.
In collaboration with W, Pantin, France
