22 Sep 2017 – 29 Sep 2017

Event times

Private view:
Thursday 21 September, 6.30–9pm

Exhibition open:
Friday 22 September 12–6pm,
Thursday 28 September 6–9pm, 
Friday 29 September 12–6pm

Cost of entry


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Swiss Church in London

London, United Kingdom


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  • Covent Garden
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A large-scale site-specific print installation by Glasgow-based typographer Edwin Pickstone.


Biblioclasm is a large-scale site-specific print installation by Glasgow-based typographer Edwin Pickstone. Immersing the main hall of the Swiss Church in thousands of prints, it highlights the contribution that print has, and has had, on movements of social, theological, and political concern.

The installation takes as its source the Elizabethan tragedy Doctor Faustus, penned by Christopher Marlowe at the end of the 16th century. First performed between 1588 and 1593, the play describes the exploits of, Dr J. Faust, a fabled scholar who is highly successful yet dissatisfied with his life. In Marlowe’s drama he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures.

The play’s emphasis on independent learning and the sin of pride links it to the Protestant Reformation — the schism from the Catholic Church initiated by Martin Luther — that marks its 500th anniversary in 2017. Characterised by the rejection of religious images and icons, the period saw the destruction of hundreds of iconographic books and artefacts. In conjunction, the development of the printing press at this time gave rise to the spread of written propaganda throughout Europe that caused new ideas, thoughts, and doctrine to be made available to the public. Pickstone’s installation expands on these two contradictory impulses — one to destroy and the other to disseminate — and takes the title of Biblioclasm, meaning the extreme criticism or destruction of books.

The installation will be contextualised by a number of Pickstone’s prints and artist’s books, as well as a reading room presenting copies of Doctor Faustus and various readers on the play.

Focusing on the material nature of print, Pickstone uses letterpress, collaborating with artists and designers on a wide range of projects. His work spans academic, artistic and design worlds, with particular interest in the history of typography, graphic design, print and the nature of the book. Recent collaborative exhibitions include Printshop! with Giles Round at Tramway, Glasgow (2016) and blip blip blip with Ciara Phillips at East Street Arts, Leeds (2015).

Pickstone lives and works in Glasgow. In addition to his art and design work, he is currently keeper of the Caseroom at The Glasgow School of Art, where since 2005 he has cared for the school’s collection of letterpress printing equipment. He has spoken and exhibited internationally.



Kirsty White

Exhibiting artistsToggle

Edwin Pickstone

Taking part

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