The exhibition debuts Venet’s Continuous Curve
series, which stems from the artist’s renowned Indeterminate Line
sculptures, several iterations of which are shown here, alongside related works on paper.
Three large Indeterminate Line sculptures of looping rolled steel stand freely on the ground floor of the gallery. Their order and balance find their counterpoint in what appears to be the same loops, collapsed into a chaotic heap that obstructs the entrance. Venet describes this Effondrement: Five Indeterminate Lines and the accompanying Indeterminate Lines as 'the result of improvised, intuitive, and empirical work'.
The upper gallery is dedicated to Venet’s new series of wall-reliefs, titled Continuous Curve. As with other works in the exhibition, these works, torch-cut from large steel plates, are grounded in mathematical practice. With their reduced, yet imposing elementary lines, they are positioned somewhere between the artist’s sculptural works and works on paper, the latter of which relate to Venet’s Continuous Curves, and Indeterminate Lines. These graphite drawings and collages of lines drawn in heavy oil stick are generated through an equivalent, though less industrial, process to the making of the artist’s laser-cut reliefs.