Benedict Drew. The Saw Tooth Wave

About

The exhibition continues the artist’s interest in the ways that technologies and cultural zeitgeists imbue our experience of the world.  Taking its title from a type of audio wave form common to the sounds produced by audio synthesisers from the 1960s onwards, the exhibition uses this as a model for thinking through the question of how we relate to others via psychedelic abandon or direct representation; the new work expanding upon the wave form’s title (the tooth; the saw), its logic (based on harmonic synthesis of alternation and difference), and its somatic effects (electronic music).