This exhibition presents several key series of photographs by Barbara Wolff in a miniature retrospective of sorts. In the chronological order, selections from her Dadaist collages and montages à la Anton Stankowski dedicated to Alberto Moravia (Das Paradies) are on view along with a series of unusual, experimental “photographic explorations” in negative-positive exposures and multiple exposures (Translucents), a tableau on Brandenburg Gate in 1985, Barbara Wolff’s biographical work on East and West Germany, her long-term project from Sechzehneichen in Brandenburg, and current works made using a large format camera.