Exhibition
Barbara Marcel
5 Aug 2020 – 7 Sep 2020
Regular hours
- Wednesday
- 10:00 – 18:00
- Thursday
- 10:00 – 18:00
- Friday
- 10:00 – 18:00
- Saturday
- 10:00 – 18:00
- Sunday
- 10:00 – 18:00
- Monday
- 10:00 – 18:00
Address
- Alte Jakobstraße 124-128
- Berlin
Berlin - 10969
- Germany
Travel Information
- M29 Waldeckparck, 248 Jüdisches Museum
- U1/U3 Hallesches Tor, U6 Kochstr./Hallesches Tor, U8 Moritzplatz
Barbara Marcel is a Brazilian artist and film-maker. Her works explore historical views of nature and how these relate to colonial imagery.
About
The artist devoted her doctoral dissertation to the essay film as a genre and as a historiographical tool for decolonial thought. Her explicit focus is on issues in history and the links between Germany and Latin America. Parallel to her research, she works regularly with other artists, researchers and activists on projects around public debate in times of growing environmental conflict and social inequality. At the Berlinische Galerie she is screening three essay films: “Victoria Amazonica” (2015, 22 min.), “The Open Forest” (2017, 24:35 min.) and “Arara” (2017, 9:35 min.).
“Victoria Amazonica” (2015, 22 min.)
“Victoria Amazonica” is the first chapter in an ongoing project about the Botanical Gardens in the Berlin district of Dahlem and the origins of the tropical plants found there. The artist pits her own voice against historical and contemporary footage on the Amazonian Giant Water Lily drawn from archives and the Web. Marcel addresses a crisis of cultural heritage by questioning her personal knowledge – shaped by colonial thinking – about the Amazon and its water lily.
“The Open Forest” (2017, 24:35 min.)
“The Open Forest” was made after the artist stayed at the Adolpho Ducke Reserve managed by the National Institute for Amazon Research (INPA). This is one of the leading sites for researching into the Brazilian Amazon. Marcel’s film traces a journey from the Sahara to the Amazon; from greenhouse effects to the origins of Europe’s advance across the tropics of the “New World”; from the rubber trade to brega pop music on the streets of the tax haven Manaus. The video, a composition of found footage and images from the Amazon region, reflects on this history of the forest as a commodity, its exploitation by human technologies and its significance as a natural resource.
“Arara” (2017, 9:35 min.)
“Arara” shows a woman absorbed in a game on her smartphone, where her ara macaw avatar has to devour floating gold coins. Surrounded by plants, the protagonist’s movements gradually reveal her whereabouts and contrast these with her virtual context. What does it mean for humans if they perceive nature increasingly through virtual space?
