Exhibition

Barbara Kasten: Site Lines

22 Jun 2024 – 1 Sep 2024

Regular hours

Saturday
10:00 – 17:00
Sunday
10:00 – 17:00
Monday
10:00 – 17:00
Tuesday
10:00 – 17:00
Wednesday
10:00 – 17:00
Thursday
10:00 – 17:00
Friday
10:00 – 17:00

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De La Warr Pavilion

Bexhill, United Kingdom

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Travel Information

  • Direct trains from London Victoria, Brighton and Ashford to Bexhill
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About

De La Warr Pavilion is pleased to host the first institutional solo exhibition in the UK of artist Barbara Kasten, presenting a major new site-specific commission in our Ground floor gallery this summer.

Since the 1970s, Kasten (b. 1936, United States) has been constructing expansive installations made of architectural ‘props’ such as glass, mirrors, metal, or wood constructions in front of the camera for her abstract ‘photographs’. Space as a stage of a changing reality is the central motif of her photographs, film, and sculptural installations, which she produces in an ‘interdisciplinary performance’ between photography, sculpture, architecture, and painting. These theatrical arrangements are notable for their use of colour, light and shadow, an approach going back to Kasten’s roots as a painter and sculptor.

During her sojourn in Germany in the 1960s, Kasten observed an affinity between her painting and a new sculptural medium, fibre, being exhibited at the time. She returned to the US to pursue a graduate degree at California College of Arts and Crafts with Bauhaus disciple, Trude Guermonprez. Experimentation and modernism’s notions of space, stage, and architecture became the core of her practice since. While living in Los Angeles in the early 1970s, the ‘Light and Space Movement’ had an influence on her subsequent work. Through her cross-genre practice and continued use of analogue photographic materials, Kasten’s visionary practice has influenced a new generation of contemporary artists amidst the prevalence of digital imagery, Photoshop and 3D rendering today.

At DLWP, Kasten has responded to the distinctive architectural features of our Grade I listed modernist building and the unique setting of the Ground floor gallery, which looks directly out to the English Channel. Furthering her interest in the mechanisms and structures of how images are created, she has reconceived the gallery’s windows as a proscenium: a threshold between inside and outside space. Leant up against the glass will be a series of coloured, acrylic beams, the forms of which echo the internal and external columns that support the Pavilion’s rectilinear geometries. Installed throughout the gallery – ‘backstage’ behind the proscenium – will be a series of stage flats constructed out of metal and mirror. Kasten imagines these as ‘movie screens’ that provide a cinematic experience for visitors across the site through reflection and warping. Combined with stage lighting, these screens create a choreography of colour, light, and shadow throughout the space as its atmosphere changes with the weather outside.

Presented in the context of this new commission is Kasten seminal Architectural Sites series (1986-89). Made on location with a single exposure and no digital intervention, this body of work restages the architectural sites of several museums and institutions through bold colours and kaleidoscopic perspectives. As reconfigurations of architectural forms shifting from two to three dimensions, this photographic series speaks to Kasten’s transformation of the gallery this summer, as she invites visitors to enter her theatrical construction and move through modernist form in real time.

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Barbara Kasten

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