Forrester is the third commission in a new series at Brixton, following on from Njideka Akunyili Crosby in 2018 and Aliza Nisenbaum in 2019. The programme selects artists to respond to the diverse narratives of the murals from the 1980s, the rapid development of the area and the wider social and political history of mural making.
For his first major UK public commission, Forrester will reinterpret his seminal work Three Wicked Men (1982), now in the collection of Tate, London, into an immersive, large-scale painting. Made during his time at the Royal College of Art, Forrester has returned to Three Wicked Men several times over the decades. The title was borrowed from a track by Reggae George, released a year earlier, in which Forrester identifies the three men as a policeman, a politician and a businessman. In Forrester’s painted versions, the latter figure is often replaced by a Rasta. Reflective of the contemporary black experience and the racial tensions of the time, the painting features Winston Rose; a friend of Forrester’s who died whilst under police restraint in 1981 and which would continue to haunt many of his paintings for the next decade.