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George Washington Carver Crossing the Delaware: Page from an American History Textbook, 1975. Acrylic on canvas, 78 1/2 × 98 1/4 in. (199.4 × 249.6 cm). Lucas Museum of Narrative Art, Los Angeles, 2021.45.1. © 2022 The Robert H. Colescott Separate Property Trust / Artists Rights Society (ARS), New York.
Exhibition
Art and Race Matters: The Career of Robert Colescott
30 Jun 2022 – 9 Oct 2022
Regular hours
- Thursday
- 11:00 – 21:00
- Friday
- 11:00 – 18:00
- Saturday
- 11:00 – 18:00
- Sunday
- 11:00 – 18:00
- Tuesday
- 11:00 – 18:00
- Wednesday
- 11:00 – 18:00
Cost of entry
Adult: $18 (Concessions available)
Address
- 235 Bowery
- New York
New York - NY 10002
- United States
Travel Information
- From the East Side of Manhattan Take the downtown 6 train to Spring Street. Exit the station and walk one block north on Lafayette Street to Prince Street. Turn right and proceed until Prince Street ends four blocks later at Bowery. From the West Side of Manhattan Take the downtown N or R train to Prince Street. Exit the station and proceed east on Prince Street for six blocks to Bowery. You may also take the downtown D or F train to Broadway/ Lafayette. Walk three blocks east to Bowery and turn right two blocks to Prince Street. From Brooklyn Take the Manhattan-bound F train to 2nd Avenue. Exit at Houston Street and walk one block west to Bowery. Turn left, and proceed two blocks south to Prince Street. From Queens Take the Manhattan-bound F train to 2nd Avenue. Exit at Houston Street and walk one block west to Bowery. Turn left, and proceed two blocks south to Prince Street.
Featuring approximately forty paintings, this exhibition highlights the sixty-year-long career of one of America’s most adventurous and subversive artists.
About
The bold and richly rendered works of Robert Colescott (1925–2009) traverse art history to offer a satirical take on issues of race, beauty, and American culture. Often ahead of his time, Colescott explored the ways in which personal and cultural identities are constructed and enacted through the language and history of painting. This presentation offers a long overdue celebration of Colescott as one of the most consequential artists of his time.
Colescott is perhaps best known for works made during the 1970s in which he reimagined iconic artworks to examine the absence of Black men and women as protagonists in dominant cultural and social narratives. Works like George Washington Crossing the Delaware: Page from an American History Textbook (1975) offer irreverent parodies of familiar masterpieces, while incisively critiquing America’s often brutally discriminatory past and present. In its complex interplay of high art and vernacular traditions, his work has opened new possibilities for chronicling the history of America while ridiculing its grandiosity and biases.
This groundbreaking exhibition highlights Colescott’s legacy as a standard bearer for figuration in the 1970s, a forerunner of the appropriation strategies of the 1980s, an overlooked contributor to debates around identity politics in the 1990s, and a pioneer in addressing some of the most challenging issues in global culture today.
The New Museum has a long history with the artist, presenting the exhibition “Robert Colescott: A Retrospective” in 1989.
