In her exhibition at the Secession—her first institutional solo show in Europe—Faruqee presents selections from the Moiré Paintings, Circle Paintings, and Wave Paintings series, on which she has worked since 2012. “I am interested,” the artist says, “in how the iteration of modular bits of information, the dissolution of figure and ground, the integration of color and form, and the use of multiple viewpoints and axes of symmetry provide a counter-history to the monocular vision of perspectival drawing and analogue photography.”
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