Questioning the arguably *defunct nature* of the public space in a time of over-saturation. The exhibiting space becomes the public space’s pseudo-other, experienced as a space fraught with the pale shadows of varying realities. For Ann Dunham’s IGUANA BEGEISTERT, this *programmatic mode* becomes subject.Every facet of this experiential space is amenable: open and responsive to suggestion; easily persuaded, controlled, and usually existing within the reasoning of ‘travesty’: a false, absurd, or distorted representation of something.Using a combination of immaterial and material space: the internet and virtual realities, *inhabited* spaces: installations with insertions of the human body and actions in time IGUANA BEGEISTERT pushes modes of perception. Reality is laughably and nonsensically permeable here !!!
IGUANA BEGEISTERT exists in varying formats:
////////////////////// Material incarnation (installation, projection)
////////////////////// Digital space (online, interactive)
////////////////////// Body in time (performance: OPENING NIGHT).