Exhibition
and So the Brocken Mend Themselves
9 Oct 2024 – 16 Nov 2024
Regular hours
- Wednesday
- 10:00 – 18:00
- Thursday
- 10:00 – 18:00
- Friday
- 10:00 – 18:00
- Saturday
- 10:00 – 18:00
- Sunday
- 10:00 – 18:00
- Tuesday
- 10:00 – 18:00
Free admission
Address
- 96 Chalton Street
- London
England - NW1 1HJ
- United Kingdom
Latin American art exhibition and installations as part of the Frieze Week.
About
Somers Gallery, LATAMesa and INTEMPERIE are delighted to present 'and so the broken mend themselves, a group exhibition at Somers Gallery presenting the work of Alejandra Mizrahi, Mara Caffarone, Lulú Lobo, Eilen Itzel Mena, Camila Barvo, and Ume Dahlia.
OFF SITE
Parallel to the exhibiton we are presening a programme of site specific interventions, live performances and participatory activities at the British Library, the Story Garden and Chalton Street for the week of Frieze.
Carmen Huizar is displaying texts across public spaces, Ana Blumenkron is intervening in a front shop while AJI Press is presenting a selection of limited editions and publications at Flori Canto.
Friday 11 October. 13:00-14:30. British Library Piazza Poets Circle
Experimental sound, poetry and temporary installations by Soni Quintero, Montenegrofisher, Manuel Rocha Iturbide and Pedro Resendez
96 Euston Road, London, NW1 2DB.
Saturday 12 October 11:30-15:30 pm Story Garden.
Performances, temporary installations, food & drinks and workshops focused on the politics and mythology of Latin American food with the participation of; Lucía Quevedo, Food of War, Manuel Rocha Iturbide, Catalina Barroso Luque, Elizabeth Salazar and workshops by the Story Garden staff.
Ossulston Street.
NW1 1DF
Exhibiton Inforrmation
and so the broken mend themselves
This exhibition brings together the work of six Latin American women artists whose practices span painting, sculpture, textile, graphic art and performance, engaging with notions of mending, both as a technical act and a poetic symbol. Through an exploration of materiality and techniques passed down through generations, and so the broken mend themselves, invites a reflection on how these elements become conduits for narratives of resilience, transformation, and the continuous negotiation of identity. The exhibition also examines varied approaches to the artistic gesture, revealing its power as a means to navigate and articulate these themes.