Exhibition

and So the Brocken Mend Themselves

9 Oct 2024 – 16 Nov 2024

Regular hours

Wednesday
10:00 – 18:00
Thursday
10:00 – 18:00
Friday
10:00 – 18:00
Saturday
10:00 – 18:00
Sunday
10:00 – 18:00
Tuesday
10:00 – 18:00

Free admission

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Somers Gallery

London
England, United Kingdom

Event map

Latin American art exhibition and installations as part of the Frieze Week.

About

Somers Gallery, LATAMesa and INTEMPERIE are delighted to present 'and so the broken mend themselves, a group exhibition at Somers Gallery presenting the work of Alejandra Mizrahi, Mara Caffarone, Lulú Lobo, Eilen Itzel Mena, Camila Barvo, and Ume Dahlia.

OFF SITE

Parallel to the exhibiton we are presening a programme of site specific interventions, live performances and participatory activities at the British Library, the Story Garden and Chalton Street for the week of Frieze.

Carmen Huizar is displaying texts across public spaces,  Ana Blumenkron is intervening in a front shop while AJI Press is presenting a selection of limited editions and publications at Flori Canto.

Friday 11 October. 13:00-14:30. British Library Piazza Poets Circle

Experimental sound, poetry and temporary installations by Soni Quintero, Montenegrofisher, Manuel Rocha Iturbide and Pedro Resendez 

96 Euston Road, London, NW1 2DB.

Saturday 12 October 11:30-15:30 pm Story Garden.

Performances, temporary installations, food & drinks and workshops focused on the politics and mythology of Latin American food with the participation of; Lucía Quevedo,  Food of War, Manuel Rocha Iturbide, Catalina Barroso Luque, Elizabeth Salazar and workshops by the Story Garden staff.

Ossulston Street.
NW1 1DF

 Exhibiton Inforrmation

and so the broken mend themselves


This exhibition brings together the work of six Latin American women artists whose practices span painting, sculpture, textile, graphic art and performance, engaging with notions of mending, both as a technical act and a poetic symbol. Through an exploration of materiality and techniques passed down through generations, and so the broken mend themselves, invites a reflection on how these elements become conduits for narratives of resilience, transformation, and the continuous negotiation of identity. The exhibition also examines varied approaches to the artistic gesture, revealing its power as a means to navigate and articulate these themes.

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